Download rap mixtapes 2012

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Media Type Media Type. Year Year. Collection Collection. Creator Creator. Language Language. Topics: dj screw, screw, chopped and screwed, suc, screwed up click, s. Rihanna 02 Eminem - Roman's Revenge Feat. Topic: Whole Lotta Red Leaks. Yo Gotti 06 Nba Youngboy - No. It was released on February 16, Ocean was inspired to make the mixtape, after Hurricane Katrina in his native New Orleans and his subsequent relocation to Los Angeles.

After joining alternative hip hop group Odd Future in , he self-released the mixtape, without initial promotion. Title 01 - Lil' Boosie Ft. Webbie - Betrayed 09 - Lil' Phat Ft. Foxx - Devils 13 - Lil' Boosie Ft. Dom Kennedy - Rap N Roll. Zay Rich - Trap B4 Rap. DJ Ya Boy Earl. Ronnie Rap Game - The Progression. DJ B-Ski. DJ Koolhand. Real Kings Of N. DJ Duce. Life Is A Mixtape. DJ B Eazy. DJ Unstopable.

Rap Lingo. DJ Spade. The Rap Game 2K DJ Triple Exe. Strictly For The New Yorkers 6. Chance The Rapper - Acid Rap. Jody Lo - Rap Trapper 2. Maybach Music Group. DJ DJ Kool Hand.

With Yellow Album , the world outside of Kennedy's cult following realized who he was and liked it. With Juicy J and Tyga , more commercial artists, jumping on "My Type of Party," Dom attracted fans of other artists to check him out while letting them understand what an all-Dom-everything original sounds like.

This mixtape is the best display of Kennedy's talents so far and will be remembered in years as his breakout release. The so-called "Stoner-rap" genre has become a bit of snooze-fest in recent times due to the familiarity and unoriginality laid out by the artists. A tape to sit back and enjoy, this isn't one you can bang out at a party but instead relax to after a hard days work.

T 's as the King of the South with his potent lyricism, deep rhymes, and an unbreakable will to be different. T decides to get personal on this tape, revealing a softer side of his southern swag, while also taking jabs at music executives, ex-girlfriends, and other artists.

Another tape that sounds more like an album, Big K. T's position at the top cannot be questioned after this tape. The potential for him to be the next great New York lyricist was there to see on the video and with the release of his mixtape, he delivered on his potential, proving that he isn't all hype.

With a street delivery and a vernacular that makes people twice his age blush, Joey lets loose on "Waves" and "FromdaTomb". Most of the album, including "Hard Knock" feels like it belongs in - the year he was born - as its eerily reminsceient of '90's hip-hop with its sample-driven, boom map beats.

If you crave '90's hip-hop and believe the genre to be dead, this mixtape will change your mind. Though Murder By Numbers wasn't the commercial success 50 Cent would have hoped for, it still remained musically, a strong mixtape that showed what 50 has in store for the future. Even though it clocks in around 30 minutes, it feels like a short film that's a teaser for a full-length project from Hopefully he delivers it soon.

If you combined all the haters for other rappers in the game, you would still have less than the ones unfairly hating on Donald Glover aka Childish Gambino. Considered "too hipster" or "weak" or just "plain joke-rap" that all changed with the release of his summer mixtape, Royalty. Hopefully the mixtape propels the rapper to the recognition he didn't receive after his stellar debut album, CAMP.

Easily one of the two best hip-hop groups out there right now, this quartet are amazing lyricists that bounce off each others energy stupendously. And it's none more so evident than on a mixtape that to most was better than their album. On The House showed Slaughterhous e's versatility when it came to switching up individual flows to suit the beat while giving each MC enough time on the mic for their individuality to shine through.

Throughout the rape, each MC is a verbal assassin, making you rewind to the start of each verse to let each line soak in before the next one hits you with a punch.

A mixtape that deserves every recognition it gets, it's definitely another step in the right direction for this quarter of talented artists. This mixtape is on this and other lists for one simple reason: Gucci Mane decided to go outside his comfort zone. For a rapper who isn't open to change, especially in a tried and tested formulaic rap method, Trap God was a huge evolutionary change for a rapper that was starting to become an insignificant joke. Trap God allowed Gucci to flirt with an unfamiliar flow and less-than-comfortable rhyme scheme while sticking to production and beats that were classic Gucci.

He was in a considerable rut and it's great to see a rapper climb himself out a hole and with his tape, Gucci did exactly that. He might be an independent artist but you can't deny Mac Miller being an important figure in modern day hip-hop. On the back of his successful No.

Labs, it was an impressive track list. Expectations were high and Mac delivered with a fine body of work from "Loud" to "Clarity.